Madhrasapattinam is a Indian Tamil film that stars Arya and Amy Jackson in the lead roles, whilst, actors Nasser and Cochin Hanifa play other prominent roles. Directed by A. L. Vijay, who earlier directed hits like Kireedam (2007) and Poi Solla Porom (2008), the film is released on July 9, 2010 with extremely positive reviews.
The movie begins more like Titanic as an old English woman Amy Wilkinson (Amy Jackson) almost at her death bed in London, wants to come down to Chennai in search of a young man Parithi (Arya) whom she last saw on 15 August, 1947.
Almost 60 years from then, she is clueless as she has just a picture of Parithi, which was taken then. The search begins. There are scenes where she recalls her past. It is revealed that Parithi was a valorous dhobi in Madarasapattinam. He revolts against the British officials for they plan to construct a golf course in their dhobikhana.
Comes Emi, daughter of Madras Presidency Governor, and she develops an affinity towards Parithi. She is friendly and helpful. Sequence of events leaves romance blossoming between them. Parithi calls her affectionately as Duraiamma.
Even as they face trouble from the angry White officials, comes 15 August 1947 which brings freedom to India. Duraiamma is now forced to go back to England. Parithi runs from pillar to post and fights to hold his sweetheart’s hands. But he couldn’t achieve his mission. Cut to present, Duraiamma is back in search of Parithi. Did she realise her mission forms the climax.
Get ready to be transported back into Madras. The makers have promised a trip from Chennai to Madharasapattinam and that is exactly what has been delivered through this movie. But, is it just a trip back in time or is there more to look forward to? Before we begin analyzing Madharasapattinam for what it is, let us lay down lines that quite clearly define what it is not. Any movie set in the pre-independence era carries the expectations of portraying the freedom struggle. Madharasapattinam makes little or no attempts to get into that. Yes, the events of the freedom struggle and subsequent achievement of independence from British rule are important events that have a bearing on the story. But, those events have not been shown in detail, nor have any of the legendary names associated with the freedom been depicted. So, Madharasapattinam is not a documentation of the freedom struggle and events associated with it. Then what is it?
The storyline and the events might sound a bit familiar to you. Yes, there are points in the movie where one is able to draw parallels to other great movies. The opening portions remind us of Titanic, while the challenge thrown by the British at the dhobi community gives us a Lagaan feel. But, in spite of all this, Madharasapattinam has a unique identity and the reason for that is in the title of the film itself - Madras. That is the single biggest highlight of the movie.
Other technical aspects of Madharasapattianam also a delight, especially G.V. Prakash’s background music. The small touches that he has provided, especially when the love between the lead couple begins to bloom, are wonderful. The songs too are a treat, especially ‘Vaama Dorayamma’ and ‘Aaruyire’. Though there is a feeling that adding a few western pieces here and there would have made it even more perfect for the movie. Costumes of the entire cast are almost perfect, especially Amy Jackson’s.
Performances are a real delight in Madharasapattinam. The one who walks away with the top honors is Amy Jackson for a beautiful portrayal of a lady torn between her love and the mighty empire. She looks absolutely beautiful, emotes well through her expressive eyes and is able to earn the sympathy of the audiences during tough times. Arya is perfect for the character of the dhobi who is also a wrestler. He is intense, manly, yet soft and romantic when it is required. A convincing performance. The rest of the cast too is spot on in delivering the goods. The British cast looks convincing as the colonial power. VMC Haneefa delights as the dubashi (translator) lending many moments of fun as he plays around with languages that he does not know. Nasser brings power and intensity to the character that he portrays. The lady who portrays the aged Amy Jackson, through whose memory the story is told, also impresses a great deal.
Overall, Madharasapattinam is a film that takes you back in time and shows you a Madras that exists only in photos and memory. Hats off to the entire team for making this possible and kudos to Vijay for heading this team and pulling off the huge task. Also thanks to AGS Films for taking up such a subject which would have definitely cost a lot. Madharasapattinam is a pretty often seen love story where poor boy meets rich girl, much to the angst of the family. But, it is the backdrop and the treatment that make it a different experience. Watch Madharasapattinam for some great art work, cinematography, performances and to appreciate an effort that is a rare occurrence in Tamil cinema. But, do not look for a documentation of the freedom struggle and other historical milestones. Just enjoy the trip from Chennai to Madharasapattinam
Review by "Behindwoods"
Review by "Behindwoods"